“I’ll tell you a weird thing about apocalypses – a thing I didn’t even know until I was in one: they seem pretty bad, don’t they? Well, take it from me: they can always get worse.”
DEADLY TO THE LAST DROP
Ninety-seven percent of the population is dead. And the killer rain keeps falling. Ruby’s not sure she can make it on her own much longer. So when a chance encounter leads her to a camp with the last boy she may ever kiss (it’s not easy to date during an apocalypse), Ruby gratefully accepts the army’s protection.
But safety comes with a price: If Ruby wants to stay, she must keep her eyes-and her mouth-shut.
Except Ruby stumbles across a secret she can’t possibly keep. Horrified, she flips out and fights back-only to make the most shocking discovery of all…
.27 is a number Ruby hates.
It’s a number that marks the percentage of the population that has survived. It’s a number that means she’s one of the “lucky” few still standing. And it’s a number that says her father is probably dead.
Against all odds, Ruby has survived the catastrophic onset of the killer rain. Two weeks after the radio started broadcasting the warning, “It’s in the rain. It’s fatal and there’s no cure,” the drinkable water is running out. Ruby’s left with two options: persevere on her own, or embark on a treacherous journey across the country to find her father-if he’s even still alive.
Praise for H2O:
“Creepy and realistic. H2O left me thirsting for more.” -Kristen Simmons, author of Article 5 and Breaking Point
“Ruby’s candid, addicting narration brought this terrifying and wholly plausible story to life. This is a book you’ll devour all at once-from the safety of your umbrella!” -Jessica Khoury, author of Origin and Vitro
About the Author:
Virginia Bergin learned to roller-skate with the children of eminent physicists.
She grew up in Abingdon, Oxfordshire, in a house tied to her father’s job. Her parents, the children of Irish and Polish immigrants – and one Englishwoman – had moved from Liverpool to the south of England in search of work.
Virginia studied psychology but ruined her own career when, dabbling in fine art at Central St Martins, she re-discovered creative writing. Since then she has written poetry, short stories, film and TV scripts and a play that almost got produced – but didn’t.
In between and alongside more jobs than you’ve had hot dinners, she has worked as a writer on TV, eLearning and corporate projects and has 22 broadcast and non-broadcast TV credits, from children’s favourite Big Cat Diary Family Histories (BBC) to the award-winning series Africa (Tigress Productions for National Geographic). Most recently, she has been working in online education, creating interactive courses for The Open University.
She has lived in North Wales, London and Bristol. In May 2015, she moved from a council estate in Bristol to live in rural Somerset, somewhere between Taunton, Chard and Ilminster. Her nearest neighbour is a horse.
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